The pond had promised not to post anything until, with great reluctance, fear and trepidation, it turned back to its regular duties, studying the arcane, twisted, downright weird reptile minds of the lizard Oz ...
But then this turned up in the pond's in-box, headed "Americans" ...
That's grotesquely unfair. The pond had an aunt who simply loved this sort of decor, and all her bathroom features were given the full frills treatment, including disguising the toilet paper holder in this manner ...
She also liked Kamahl, and that might help explain to passing stray readers how the pond became a gibbering wreck observing reptile follies ...
But speaking of bizarre Americans, Ted "Cancun" Cruise was at it again ...
Most devotees of monstrously stupid Americans will have already noted this new folly, but it gives the pond the excuse it needed, because this dropped into the pond's in-box in response ...
Dunderfuck! What a sublime use of the English language, and coupled with "transgalactic", it was an outright winner, and for doubters, the world has its own wiki ...
There's a plural, just in case the pond has to refer to the dunderfucks at the lizard Oz!
And then there was the question of "insert Whitty handle here". Was that the Whitty handle that could be found here?
So many interesting questions arising from the postings of a dunderfuck ...
Meanwhile, the pond has been reminded of the sort of millennial madness that routinely swept through the world in past times ...
No need to go below the headlines, but it did remind the pond of an old favourite theme, which is to say millennial madness ...
The LA Times had a book review here which addressed the matter. The pond freely acknowledges that we're not in a Fin de Siecle time, but why can't millennial madness pop up at any time?
If Ted Cruz as a senator doesn't herald the end times, what other evidence while on earth or transgalactic journey in search of dunderfucks do we need?
...In addition to its eleemosynary richness of fact, “Century’s End” provides its readers with a fascinating focus for their own meditations on endings and beginnings and on the variety of human responses to symbolic milestones. Because of their colorful mien, Schwartz cannot help but concentrate on the extremists, whether apocalyptic or millennarian.
In truth, there is little of either in evidence before the end of the 13th Century. But from then on, as literacy and leisure rise, each century’s end seems to swarm with designer prophecies. As one reads through the evidence, it becomes ever clearer that the prophets are awfully simple folk, men and women dazzled by the compelling autonomy of numbers. None is simpler than our beloved ex-President Ronald Reagan, whom Schwartz quotes as telling an official of the American-Israel PAC: “You know (all Reagan sentences begin with “you know” or “well”) I turn back to your ancient prophets in the Old Testament and the signs foretelling Armageddon, and I find myself wondering if--if we’re the generation that’s going to see that come about. I don’t know if you’ve noted any of those prophecies lately but, believe me, they certainly describe the times we’re going through.”
Uh, which ancient prophets do you have in mind, Mr. President? Could you name one? (Armageddon appears nowhere in the Old Testament and but once in the New--in the Book of Revelation, which, if Mr. Reagan were to attempt to read it through, would give him a terrible headache.)
To Reagan’s embrace of Armageddon and to all similar calculations, one may oppose the question of Paul Harvey, Renaissance physician: “But is it credible that the extreme dismal state of the world, or any utter casualty of so mighty consequence, should in very deed depend upon the fickle state of numbers and figures?”
The answer is obvious. Our calendrical numbers, whether Jewish or Roman or Islamic or Christian, are merely convenient designations, arbitrary as applied to the years of our history, no more meaningful than the number of drawers in a filing cabinet. They can speak to us neither of coming retribution nor coming rapture. They cannot speak at all.
But Schwartz answers Harvey thus: “The answer is yes, it is credible. Or rather, yes, it had become credible, thanks to astromusicians, almaniacs, pansophisticates, Christorians, mathemagicians, kabbalanthropists, a calendaring pope, and a hybrid host of other centuriators.” Thanks, in other words, to a great gaggle (except for that “calendaring pope,” who was only trying to put things in order) of mystifiers and obscurantists.
That noted, thanks to the anti-vaxxers, down there with the Luddites and rabid Xians, we do have a bunch of new mystifiers and obscurantists doing the rounds, including this one ...
Yes, C and L is still keeping track of contenders for the Herman Cain awards - the pond isn't sure that the Darwin Awards knows how to cope with all the current crop of lemmings.
There's no need to gloat about this, fools and their lives are soon parted, and tough shit and all that, and all that should be erected as a headstone is a cartoon ...
And now, following up on yesterday's post, another tribute to Don't Look Up, this time by Susie Madrak a few days ago in C and L ... calling it the best political satire since Dr Strangelove ...
Well the pond might not go that far - Dr Strangelove is in the pond's top ten movies of all time - but Don't Look Up is bloody good fun, and perhaps it's the blogging about loons that helps explain the attraction ...
After I watched the new Netflix release, "Don't Look Up," I had the strangest sensation -- because it felt like it was written by bloggers. After all, the plot centers around an life-ending impending disaster that the media would prefer to downplay or ignore. (Or worse, turn into clickbait.)
And it seems like some media outlets are taking it personally, because many of the reviews are downright sniffy. (I almost didn't watch it, because I saw so many negative reviews.)
The movie is about a new comet discovered by two scientists (Leonardo DiCaprio and Jennifer Lawrence) that's headed directly to earth, and their attempts to get taken seriously.
(It reminded me of "Dr. Strangelove," but also "Network," the 1976 film about Howard Beale, a network anchorman who threatens to commit suicide on-air because he's so infuriated by the overriding profit motive in network news.)
Because while "Don't Look Up" is really about climate change, it's also about the public response to the pandemic. And it's about Trump. (Meryl Streep plays a female version.) But mostly, it's a laser-focused critique of the media and its inability to wrestle with existential, world-threatening issues -- like climate change. (There's an all-too-realistic segment in there about the New York Times -- excuse me, New York "Herald" -- and their refusal to stand behind their own story. How do you "both sides" impending disaster?)
Lest this sound like homework, the movie is a comedy. Really. It's very funny. And serious. (Director Adam McKay calls it a "disaster comedy.") It's a good way to spend New Year's Eve. Oh, and be sure to watch it until the end of the credits.
Indeedy do, and while we've now moved past the eve into a new year of millennial madness, it's still worth a viewing, so that sides can be taken, and arguments about which bit of the egg to cut can be carried out - top or bottom (the pond goes bottom just for the perversity).
...Besides, our Histories of six thousand Moons make no mention of any other Regions, than the two great Empires of Lilliput and Blefuscu. Which two mighty Powers have, as I was going to tell you, been engaged in a most obstinate War for six and thirty Moons past.
It began upon the following Occasion. It is allowed on all Hands, that the primitive way of breaking Eggs, before we eat them, was upon the larger End: But his present Majesty's Grand-father, while he was a Boy, going to eat an Egg, and breaking it according to the ancient Practice, happened to cut one of his Fingers. Whereupon the Emperor his Father published an Edict, commanding all his Subjects, upon great Penaltys, to break the smaller End of their Eggs.
The People so highly resented this Law, that our Histories tell us there have been six Rebellions raised on that account; wherein one Emperor lost his Life, and another his Crown. These civil Commotions were constantly fomented by the Monarchs of Blefuscu; and when they were quelled, the Exiles always fled for Refuge to that Empire. It is computed, that eleven thousand Persons have, at several times, suffered Death, rather than submit to break their Eggs at the smaller End.
Many hundred large Volumes have been published upon this Controversy: But the books of the Big-Endians have been long forbidden, and the whole Party rendered incapable by Law of holding Employments. During the Course of these Troubles, the Emperors of Blefuscu did frequently expostulate by their Ambassadors, accusing us of making a Schism in Religion, by offending against a fundamental Doctrine of our great Prophet Lustrog, in the fifty-fourth Chapter of the Brundrecal (which is their Alcoran.) This, however, is thought to be a meer Strain upon the Text: For the Words are these: That all true Believers shall break their Eggs at the convenient End: and which is the convenient End, seems, in my humble Opinion, to be left to every Man's Conscience, or at least in the power of the Chief Magistrate to determine.
Now the Big-Endian Exiles have found so much Credit in the Emperor of Blefuscu's Court, and so much private Assistance and Encouragement from their Party here at home, that a bloody War has been carried on between the two Empires for six and thirty Moons with various Success; during which time we have lost forty Capital Ships, and a much greater number of smaller Vessels, together with thirty thousand of our best Seamen and Soldiers; and the Damage received by the Enemy is reckon'd to be somewhat greater than Ours. However, they have now equipped a numerous Fleet, and are just preparing to make a Descent upon us; and his Imperial Majesty, placing great Confidence in your Valour and Strength, has commanded me to lay this Account of his affairs before you.
That said, what a relief to note that not all Americans are mad, or besotted by frilly features in toilets, though the dunderfucks find it terribly hard to talk of toilets, and blather on about bathrooms, or dating, when they really mean fucking ...
But these are venial sins, and shouldn't distract from those Americans finding great humour in observing dunderfucks of the Ted Cruz kind, as we all join hands to dunderfuck the planet ...
Finally as the dread hour of the return of the reptiles fast approaches, a few cartoons to settle the pond's nerves ... beginning with a big-endian weather moment ...
This last one is dedicated to a young relative of the pond ...
I thought that you might be interested in this review of 'Don't Look Up ". ( I haven't
ReplyDeleteseen it )
https://dothemath.ucsd.edu/2021/12/dont-look-surprised/
Interesting link, but a tad too sombre and serious for the pond's taste.
DeleteThe movie is after all a comedy. It's just as well the writer didn't have a hand in the screenplay, because he's absolutely clueless about a comedic punchline ...
...In fact, I was hugely disappointed by the movie’s ending, as comical as it was. First, if it’s hard to revive the Space Shuttle in six months, and harder still to design and build a comet dissector from scratch, imagine the stupendously impossible task of designing (and building!) a cryogenic stasis arc ship for 2,000 people capable of surviving tens of thousands of years, finding a habitable planet, and successfully landing pods on said planet (which we haven’t even do on Earth). No! Yet there it was on the screen, leaving the chaotic debris-strewn Earth environment. I expected a random remnant of civilization (like the Wall Street Bull that drifted through at one point) to rip through the spacecraft and smite its hubris dead on the spot. But no, it powered on, somehow visiting whole other galaxies on its journey before arriving at a suitable destination after 22,000 years. I was hoping, hoping, hoping that the thing would just be an inert, unresponsive lump of scrap metal at that point: a total fail. A panicked, rushed job of that magnitude would be expected to have cascading failures that rendered it kaput six ways to Sunday. Having never tested the survival of semiconductor electronics for even 0.5% of the purported timescale, I would not expect a single circuit board to still function after such long exposure to galactic cosmic rays, among other forms of decay.
Fucketty fuck, in space you can hear plenty of screams and rocket noises. It's not a realist treatise on space travel, or preparations thereof, just a set-up for a gag about Meryl "the mango Mussolini" Streep and her son getting their comeuppance, and it came about in the way ideas usually do ...
https://www.indiewire.com/2021/12/dont-look-up-ending-mid-credits-scene-meryl-streep-improv-1234688130/
According to McKay, it was Streep’s idea that her character, a raging narcissist, would want to know how she would die. “We were shooting the scene with Rylance, Meryl and Jonah in the BASH control room for the second launch,” McKay said. “I’m like, ‘We should play around. Why don’t you guys talk about something? You never know. It could show up.’ And Meryl, who’s such a great improviser, says, ‘I want to know how I’m gonna die!’”
As they riffed, they decided Jonah Hill’s White House Chief of Staff character Jason would “die in three days from eating tainted human flesh.” McKay posited to Streep, “What if you’re eaten by a creature?”
“Mark, Meryl, and I kind of cleaned it up a little bit,” McKay said. “I think every time we said the name of the creature, it changed — and the take we used was a brontaroc. And then after we shot it, I said, ‘That’s really funny. We should end with her getting eaten by a brontaroc!’”
At that point, McKay turned to VFX supervisor Raymond Gieringer, saying, “We’re adding a new beat. We’re creating a whole new creature.”
He said that originally, another mid-credits scene was shot before being scrapped for the brontaroc ending. “The original ending was, ‘Oh, let’s start building our houses.’ And then someone says, ‘Oh, the pod carrying all the workers blew up.’ And then it was Mark Rylance going, ‘I’ll give anyone who builds me a house a billion dollars.’ And then the guy next to him was like, ‘I’ll give $2 billion.’ And then you realize they’re all billionaires.
“They’re going, ‘I’ll give $5 billion! $10 billion!’ And we just pulled out on that.”
They came up with the right ending! The female mango Mussolini deserved a splendidly comical death ... and as for Eric, what a way to go, bleating for his mum ...
DP - My Source tells me there was something from our ‘Killer’ in the weekend Flagship, but not worthy of serious consideration. Well, very little that comes from Killer’s keyboard is worth reading right through, but she did not trouble to go past the header.
ReplyDeleteShe did remark on the effort of Ordinary Seaperson Rachel Baxendale (Able Seapersons could demonstrate particular experience and skills - like being able to steer the ship - a rare skill amongst the crew of the Flagship - so Rachel must be one grade below that) - anyway, OS Baxendale started her new calendar, at 6:52 AM, with this header -
‘Covid cases race past 100,000 but not even 130 in ICU’.
Claud Cockburn, who claimed the ‘dullest headline’ competition for The Times, with his "Small Earthquake in Chile, Not many dead” - would have approved, and how fitting now that The Times is in the same dock as this Flagship.
But so much better than that, Dorothy, were your new words. ’transgalactic dunderfuck’ is just wonderful, soooo appropriate for Cruz, but readily adaptable to other politicians favoured - nay, promoted - by Fox and Sky.
Not only that (as they used to say in second-rate TV) but further down you reminded us of eleemosynary. I admit, I did check, to make sure I had it pinned, but that process lead me to agathokakological, which I am sure our Henry has filed away for a particularly slow Friday, but which could be taken into any discussion of human nature.
I have enjoyed your travelogues - and the link to the ‘Whitty Handle’ did cause a visit to the offices of Hewitt and Whitty, in bucolic towns like Stawell and Avoca.
It all brightened my day - thank you.
Yair it seems like the transgalactic dunderfucks produce endless fusterclucks.
DeleteThen with OS Baxendale one may wonder if, like so very many others (eg Killer C) she has ever heard of 'long covid' ?
Long Covid is the elephant in the room, but it seems invisible to Australian politicians [and to Murdoch reptiles, but then so much is invisible to them]
https://www.theguardian.com/commentisfree/2021/dec/30/long-covid-is-the-elephant-in-the-room-but-it-seems-invisible-to-our-politicians